Archive for March, 2005

settling up

Monday, March 21st, 2005

The third and final part of my notes on the Ole Scheeren lecture.

*applause*

Lecture over, it was time for questions from the audience. Suffering from ‘an obligation to blog’, my hand went up first. A microphone is passed to me. As usual for events such as this, it isn’t switched on. Feeling slightly foolish, I speak at it anyway.

Everything you described about the development of the CCTV project seemed to be rooted in the program and process of the building’s complicated political and organisational requirements. There didn’t seem to be any mention of personal, subjective desires that you exercised yourself to help shape the final form. I’m thinking here about the shape of the loop. Would you say that the building’s formal result was entirely data driven?

Time and complete editorial control is a wonderful thing – there was a great deal more stuttering and indecision when I actually said it. The observant among you will have also noticed that I stole this question from someone else. It’s a reconfigured, less elegant version of the one put to Neil Denari in the lecture I wrote about last year. With that in mind you’d be forgiven for wondering why I was surprised to receive the same answer to the same question.

Absolutely not. I don’t believe in data driven architecture.

Not his exact words I might add, there were more of them than that, but his position was clear. He seemed a little upset by my accusation and took time to explain how there had been much deliberation over the exact shape of the loop.

And yet, only once had he given any sort of personal opinion – during his description of the air quality in Beijing. It had stood out quite starkly against the facts of the project (I marked this point in part I of these notes)

The rest of the questions were all about the CCTV project.

Drinks were served to accompany the post lecture networking/schmoozing, but we left everyone to it and headed out across town again. Instead, drunk on our own rhetoric, we talked about Ole as we walked and the streets slipped by unnoticed. Why had he hidden behind the process? Why didn’t he talk about how he felt? Is this the result of the last twenty years of contemporary practice? The complete erasure of self in preference of the data?

Perhaps that’s what’s necessary, I reasoned, when you’ve just dug a hole in the ground that’s 33 metres deep. You need to be able to point to the mathematics otherwise you’d go insane with fear.

Question: “Why are you altering the surface of the earth to make a structure that will hold 15,000 people.”

Answer: “Because it felt like the right thing to do.”

Now that would take serious balls.

It took about three days before I realised how stupid I’d been. How I’d completely overlooked the reason Ole had chosen to talk about the Cities On The Move exhibition.

Contrast.

All the moves I was looking for in the design of CCTV had been taking place in the curating of the exhibition. Intuition, willfulness, freedom of expression, experimentation. It couldn’t be data or program driven because the data didn’t exist until after the event.

He’d carefully explained a very complicated design process and I had done little more than make a sweeping generalisation based on my understanding of Dutch practice and a few centuries of European rationalism.

As a profession, we architects often have to deny the accusation that we’re only really interested in making grand, iconic, monolithic statements that will ensure our legacy lives on. On that particular evening it would have been difficult to deny, as we all sat there transfixed by CCTV’s ‘bigness’ and our misguided reading of it.

We’ll end with another quote from the speaker.

It’s strange how all the questions are only about CCTV.

Not that strange Ole, not that strange. We settled our bill at the bar* and drove home blissfully unaware of our blindness.

Previous parts: part I and part II

* It was a hardware failure that caused our credit cards to fail back in part I. Architecture is poorly paid but we can at least afford to eat, which is all that really matters.

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Thursday, March 17th, 2005

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secret gate

Tuesday, March 15th, 2005

From Post a Secret:

I tried to steal a part of the gates

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Thursday, March 10th, 2005
  • The High Cost of Free Stuff
    ‘…And it was then that it occurred to me that a Zero Dollar Bill is really quite valuable — it’s good for the things money can’t buy…’

  • Europan 8 has just been launched
    ‘…EUROPAN’s objective is to assist the young architects of Europe in developing their ideas and disseminating them on strategic sites proposed by municipalities or developers…’ The question is, do I have the time to enter?

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MANPLAN 2

Thursday, March 10th, 2005

As promised, here’s number 2 in the 1969 Architectural Review series entitled Manplan. The second issue focuses on communication. You can see the full set on my flickr account.

manplan_2_cover manplan_2_05

manplan_2_07 manplan_2_08

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Wednesday, March 9th, 2005

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Tuesday, March 8th, 2005

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Poetic Cross-Dressing

Tuesday, March 8th, 2005

We’ll have time for coffee flavoured kisses
And a bit of conversation.

My caffeine fix was served by a rather brusque Italian woman today. For once, the language on the menu matched the accent. It’s hardly authentic though, unlike the coffee shop that has just been protected with a Grade II listing by English Heritage. Frequented in years gone by the notorious Kray brothers, Pellicci’s in the East End of London is being held up as the first step in fighting back against the spread of franchised coffee shops.

Mr Pellici says,

A lot of my original customers are dead, of course.

Which is perhaps an unfortunate choice of words considering the activities of some of his past clientele.

Adrian Maddox, author of Classic Cafes says,

These cafes started dying off in the 1980s and then came Starbucks and the other chains and they started vanishing.

But these cafes have a whole secret history; they tell a story, of the wave of Italian immigrants who came here and brought their culture with them. They incubated a whole sub-culture of music, fashion, film, sex, crime.

I didn’t see much sign of any sub-culture whilst sat in a two-a-penny franchise during my lunch today, but then I did spend most of the time hunched over a napkin with a pen.

shanghai_kiss

It’s just possible I shall cause some offence with this entry.

I decided to jot down my memories of a project in Shanghai that Will Alsop announced during the lecture I attended last week. Shanghai told him that they wanted ‘something like the London Eye’. He gave them The Kiss – a ride taller than the Eiffel Tower, with individually programmable dining carriages and a ‘love hotel’ at the base. The entire thing rotates twice a day and the carriages can move past each other on the route because of the double-helix track that twists around the surface. It’s not been published officially yet, you saw it here first, hence my concern about causing offence. To double check if there are any links elsewhere and check if I really am the first, I’ve just tried Googling for shanghai+kiss+alsop and found myself on a site describing the results of the Second Annual Poetic Cross-Dressing Contest. Try it if you dare.

The other reason I might offend is because I’m doing exactly what Alsop said I shouldn’t do – the clichéd architect’s thumbnail sketch on a cafe napkin. Part of his lecture demonstrated the large scale drawings he does for projects, explaining that he could never understand the architect’s desire to produce tiny drawings when we work in a field that produces such large products.

What we need in Birmingham is an authentic Italian cafe with really big napkins.

My thoughts all seem to stray, to places far away
I need a change of scenery.

Ta ta ta…

The first person to tell me the source of the opening and closing quotes in this entry gets to keep the original sketch and use it to wipe up next time they spill their coffee.

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Monday, March 7th, 2005

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folksonomic zeitgeist

Sunday, March 6th, 2005

At work, we’re in the midst of another design code led competition and when the project began I launched a website for the design team using the impressive CMS from drupal.org. So far it’s been very successful.

So when Friday’s copy of BD landed on the desk and I skipped straight to Ian Martin‘s column on the back page, I couldn’t help but be impressed by his impeccable timing.

Friday:

A few weeks ago, I foolishly agreed to join a team working pro bono on a community centre extension. Geoff, the semi-retired architect and churchwarden who agreed to maintain the project website, seemed full of energy, and jokes.

The first warning bell went off when the homepage acquired an intro, featuring a Flash-animated cartoon version of Geoff in a hard hat asking you where you wanted to go. Original buttons – Latest Drawings, Planning Update, Treasurer’s Report and Team Contact Details – had been turned into a History Of The Community Centre, Have Your Say, Meet The Parishioners and Geoff’s Worldwide Wonderful Web.

The past month has been fairly quiet – waiting for the planners, fundraising, continuing, etc. Geoff, though, abhors a vacuum. A weekly digest of “project news” appeared in the form of an email newsletter, which now includes a section called Geoff’s Go-Tos: “I challenge anyone to find a weirder collection of knitted bungalows on the net!”

From today the weekly project newsletter will be supplemented, says Geoff, “by a daily blog, with podcasts and moblogs. The RSS is fulltext. Trackbacks and comments are on and unmoderated. Keywords are tracked and shuffled in a folksonomic zeitgeist. Technorati link cosmoses are constellated in real time…”

Saturday:

It turns out that the community centre extension had been built without anyone noticing.

Sunday:

Turn self into podcast, in the recliner.

Thomas Vanderwal, inventor of the word ‘folksonomy’, might be pleased to see his creation spread from the pages of the Observer into other magazines.

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