Archive for July, 2004

layers

Tuesday, July 13th, 2004

7:45 am. Arrive at office. Stand outside feeling stupid – brought wrong keys. Walk in to the city while I wait for colleagues to arrive. Coffee. Sunshine. Crisp morning air. Long shadows. Earth from the air exhibition on Victoria Square.

I learnt that: the rapid prototyped versions (carved from plastic) of the photographs on display are often more interesting than the originals, a small section of the corten steel on Anthony Gormley’s Iron Man sculpture has been worn smooth by passing fingers, the circular housing developments in Copenhagen seem to make some of the same mistakes that the British Radburn planning system did in the 50′s, and one of the reasons I love the city is that only an urban environment could deliver such rich layers of…stuff.

For example, where else might you find a vista that includes waste, art, moving images, the industrial aesthetic and Corinthian column capitals?

latest discoveries:

Monday, July 12th, 2004

delivered (almost) daily at (almost) midnight via del.icio.us.

unmixed use

Monday, July 12th, 2004

It was never my intention for this blog to become a suppository repository for comments on the new Selfridges building in Birmingham, but neither do I try to engineer any fixed direction for my content. This is, after all, merely notes to self. If confluences of events conspire against me, so be it.

When I scanned through the journals this morning at work, trying to catch up after a couple of weeks off, I found a comment from Ian Saunders of d5 architects, who I was waving to a couple of days ago.

While Selfridges is certainly an asset to Birmingham, should it not raise concerns that the most talked about building in the region is a shop?

(via the AJ 01/07/04, via the Birmingham Post 24/06/04)

I couldn’t agree more.

p.s – and yes, Bobby H, I’m flogging old projects again; get over it ;)

t610

Monday, July 12th, 2004

I’ve finally upgraded my camera phone. My Ericsson T610 is getting replaced later this week with a Nokia 6230, which should give me a much better picture quality.

To commemorate the passing of my first phone camera, I’ve compiled all the shots I’ve submitted to MoblogUK over the last few months (a site I’ve blogged about previously). Having a camera with me every day has been an interesting experience and I’m quite proud of the results. I’ve noodled about with photography quite a bit over the years, cutting my teeth on a Canon AE-1 whilst I was studying. These days my photography is almost all digital.

Two main points about mobile phone photography strike me as important; firstly, the well documented and discussed issues around being encouraged to look more closely at what’s around you, and secondly, the fact that convergence with another inconspicuous everyday object* (the mobile phone) makes people much less self concious about being ‘photographers’.

Some of the results I’ve seen from the users on moblogUK have been stunning and I’ve enjoyed taking part. I suspect that a very small number of those users would have previously called themselves ‘photographers’.

* the current ownership figures of mobile phones means that they are becoming inconspicuous ojects of the everyday due to their sheer number, of course some people actually use them in a somewhat less than inconspicuous fashion

OED

Sunday, July 11th, 2004

the term ‘flash mob’ has been entered in the Oxford English Dictionary.

latest discoveries:

Saturday, July 10th, 2004

delivered (almost) daily at (almost) midnight via del.icio.us.

tetralomo

Saturday, July 10th, 2004

by cosmiko

(hardware from: lomography.com)

I C U

Saturday, July 10th, 2004

The weekly check on my web stats tells me that someone from d5architects has been reading me of late – if that’s you, feel free to drop me a line and say hi. I just paid a visit to your site, it’s looking good. I’m pleased to see that it hasn’t been flashed to death.

I took a trip to Compton Verney today and as luck would have it, there was an exhibition by Peter Greenaway about his new film trilogy The Tulse Luper Suitcases. I don’t have time to write it up today though, as I’ve got several hours worth of working drawings to do for Brandwood End.

I’m supposed to be on holiday.

I love Kapoor

Saturday, July 10th, 2004

Weep at the beauty – pictures of Kapoor’s latest sculpture in Chicago have just been posted at A Daily Dose of Architecture.

dynamic equilibrium

Friday, July 9th, 2004

Two coffees after dessert at a restaurant and I’m lying in bed unable to sleep. I haven’t actually closed my eyes; I’m just staring at the back of my eyelids trying to recognise the shifting patterns of colour delivered by my rods and cones.

An idea that I’ve been neglecting for a while pushes its way through the reds and greens and rises to the surface demanding to be heard again. It’s untested and unresolved, so a further examination seems fair, if only to be courteous. I push it around a little, first gently, then firmly. It resists. Finally I step back a few fanciful feet to try and see it in some sort of context. The true shape of this elephant begins to come into focus.

My decision to blow the dust off some old writing and reuse it in my last entry, now makes more sense to me. I talked last time of a ‘data wall’ whose shape was defined by the two functions that occurred on either side of it; one digital, one physical. Bits and shits, if you will. It struck me last night that this web log is that data wall. In a sense, the Canary Wharf project was just the concept and it’s taken me five years to plan it and get it built. Last night I handed over the keys to the new owner.

As the data field records the journey of the e[version], it’s deformation freezes the moments of contact and simultaneously implicates all others within the mesh.

Links, comments, trackbacks, quotes, image captures, visitor statistics, e-mails – causing ripples, peaks and troughs that define the topography of the surface that faces the internet.

The negative result of previous positive actions becomes the void between the data planes and forms the volume of physical living space.

Notes, ideas, sketches, photos, questions and statements form and/or inform the opposite face (their content shaped by the impressions made on the digital side). Its influence reaches out to shape the way I fight/glide through physical space.

The reconciliation of physical and digital occurs as a point of equilibrium between the tensions of opposite forces.

That point of equilibrium occurs here.

The elephant I mentioned earlier, picked me up and carried me here at a pace that allowed me to recognise everything as it passed. I would have missed a few things if he hadn’t pointed with his trunk occasionally. He tells me that he has more to show us and the really interesting bit of the story has to do with something called a koan, but it’s late now and he wants to sleep.

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